Best movies from 2017 so far for kids
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Whether the existence of time travel or an alien invasion, writer/director Nacho Vigalondo has proven king at dealing with large-scale concepts affecting small-scale characters. He becomes fast friends with a wooting heckler named Emily ( Zoe Kazan, lovely), and a relationship begins to blossom. Gordon), we meet Kumail (Nanjiani) as he finishes a stand-up set in Chicago.
#Best movies from 2017 so far for kids full#
( full review)įrom start to finish, The Big Sick, directed by Michael Showalter, works as a lovingly-rendered, cinematic answer to the dinner party question: “So how did you two meet?” Based on comedian Kumail Nanjiani‘s real life (he co-wrote the screenplay with his wife Emily V. Coppola, of course, is far too clever for that. Although primarily based on the 1966 book by Thomas Cullinan, it appears, at first glance, to be a remake of Don Siegel’s 1971 film adaptation rather than any sort of new reading of the original text. Set to the backdrop of the American Civil War, Sofia Coppola‘s film is a sumptuous and often campy erotic horror, one that marks a confident debut genre outing for a director better-known for contemporary and often quite personal filmmaking ( Lost in Translation, Somewhere, etc.). ( full review)Ĭannon fire rumbles menacingly in the distance, but it’s human desire that might prove to be the greater threat after all in The Beguiled. Impressive yet par for the course: his run from 2004’s Shaun of the Dead to our current moment has been modern comedic cinema’s best, full stop, because Wright doesn’t simply apply technical precision and innovation to genre-smart storytelling - he also makes what must be exhausting work look like so much fun. Whether or not he is, in fact, the first person who thought to create rhythm between non-diegetic music cues and diegetic gunshots, the gesture is but a plethora of instances throughout his newest film, Baby Driver, wherein Edgar Wright eats his cake while having it, too. ( full review)Īll These Sleepless Nights (Michal Marczak)īlurring the line between documentary and fiction like few films before it, Michal Marczak‘s All These Sleepless Nights is a music-filled ode to the ever-shifting bliss and angst of youth set mostly in the wee hours of the day in Warsaw, Poland. Marczak himself, who also plays cinematographer, is wary to delineate the line between narrative and nonfiction, and part of the film’s joy is forgoing one’s grasp on this altering perspective, rather simply getting wrapped up in the immaculately-shot allure of its location. Beautifully shot by regular cinematographer Yutaka Yamasaki, it marks a welcome and quite brilliant return to serious fare for writer-editor-director Hirokazu Kore-eda following last year’s Our Little Sister, widely regarded as one of the slightest works of his career thus far. ( full review)Ĭan our children pick and choose the personality traits they inherit, or are they doomed to obtain our lesser qualities? These are the hard questions being meditated on in After the Storm, a sobering, transcendent tale of a divorced man’s efforts to nudge back into his son’s life. That double purpose is the quiet genius of James’ latest documentary, Abacus: Small Enough to Jail. – Michael S. The director’s landmark debut, Hoop Dreams, and latter-day efforts like 2014’s monument to critic Roger Ebert, Life Itself, don’t have much in common on the surface, but they both use their central characters to tell larger stories about big picture topics like structural dysfunction and the purpose of film criticism. Steve James’ filmography has long been about finding entry into larger conversations through intimate portraits. One can also see the list on Letterboxd.Ībacus: Small Enough to Jail (Steve James) Check them out below, as organized alphabetically, followed by honorable mentions and films to keep on your radar for the remaining summer months.
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theatrical releases from 2017, with many currently widely available on streaming platforms or theatrically. While the end of this year will bring personal favorites from all of our writers, think of the below 28 entries as a comprehensive rundown of what should be seen before heading into a promising fall line-up.ĭo note that this feature is based solely on U.S. 2017 has now crossed the halfway mark, so it’s time to take a look back at the first six months and round up our favorite titles thus far.